The 10 Percent

Depressing:

“Every year the Cooperative Center for Children’s Books at the University of Wisconsin reports the number of books they receive from US trade and small publishers and how many are written by authors of various backgrounds. Again, in 2010, more than 90 percent of books for children and young adults in the United States were written by white authors about white protagonists.

Hopefully this can spark more publishers to accept books about different characters and background, and spark more writers to share different stories.

If you’re an SCBWI member, you can read more about this in the current SCBWI bulletin (March/April 2012).

Tale as Old as Time

Finding hundreds of new fairy tales is an awesome way to start the week:

“A whole new world of magic animals, brave young princes and evil witches has come to light with the discovery of 500 new fairytales, which were locked away in an archive in Regensburg, Germany for over 150 years. The tales are part of a collection of myths, legends and fairytales, gathered by the local historian Franz Xaver von Schönwerth (1810–1886) in the Bavarian region of Oberpfalz at about the same time as the Grimm brothers were collecting the fairytales that have since charmed adults and children around the world.”

I am so into this kind of thing. When I was in high school I wrote a paper on the Grimm brothers and their connection to German nationalism. (And kind of had fun writing it.) Now we have more folk tales and verbal history/culture to talk about*? So cool!

*ie, to inspire more YA novels. (via bookshelves of doom) (image: Gustave Dore, via SurLaLune)

Leave Debtor’s Prison to the Dickens Characters

Over at her blog, Hazel Mitchell has probably one of the smartest posts I’ve seen about writing and finances. She says writers need to have a level of financial stability in order to write well.

“I am here to tell you that this career can be a money pit. And if all it is doing is sucking your resources and leaving you in crisis it’s not a career and you may need to back off a bit.”

Blunt? Maybe, but it’s excellent advice. Even lots of really successful writers can’t afford to just be writers. They can’t travel to all the conferences or go to all the workshops. In fact, I wonder how most people afford these kinds of things anyway. Being at the SCBWI conference in New York was fantastic, and I’m planning to attend the New England version as well, but I don’t think this is something I could do every year. It’s not quite the same, but as Hazel mentions, having the internet is an extremely useful substitute. You can still connect with writers on a daily basis and get inspiration without paying for a hotel room.

The Rake's Progress, Plate 7 by Hogarth

Hazel also mentions that writing is not like being a doctor. Doctors have to pay a lot for med school, but eventually they have a more secure financial living. (Although I’m sure lots of doctors could reply and tell me otherwise.) Even if you’re extremely talented and hardworking, there’s no guarantee that you’ll ever make it as a financially viable writer. So why go into debt over something that most likely won’t make you money?

I think it comes back to that job/career balance. It can be really tempting to say you’re going to give up the day job and just write, and things will eventually come together. But I know I tend to stress about where money for heat/rent is coming from if I don’t have a job and health benefits. It can be frustrating to lose major hours of your day to something that’s not your chosen career, but in the end it might be better to go to work everyday and write whenever you can and not be crushed by debt.

I’d really recommend checking out Hazel’s whole post. It’s not gentle advice, but it’s really worth hearing.

A Terrific, Radiant Anniversary

This October, Charlotte’s Web is turning 60. I’m guessing that kids reading it today are still charmed by Wilbur, Charlotte, Fern, and the rest of the cast. It has a wonderfully timeless feel, and this trailer to celebrate the upcoming anniversary got me teary:

Might have to reread this one before the anniversary! It’s been a long time.

PS–I hate spiders. I can’t even look at pictures of them. But Charlotte is okay by me.

There Will Always Be Readers

There can be a lot of doom-and-gloom when it comes to the publishing/writing world. Articles claim that books are being killed by e-readers/Amazon/the internet/asteroids. But On her blog, agent Rachelle Gardner shares 6 reasons for writers to be optimistic. My favorite:

5. People still READ.
And now that everyone’s on the Internet all the time, people are reading more than ever. That means if you write words, chances are, you’ll find someone to read them.

Maybe things are changing for books. Maybe one day we’ll all have e-readers or chips implanted in our head that flash the words into our brains. But I think people will always want stories. In pretty much all of human history, we’ve shared stories–around campfires, on cave walls, on paper, online, etc. If you have a great story to share, people will probably want to read it.

What good thought keeps you going through the barrage of bad publishing news?

Links Galore

Get through Friday with more fun links:

Links Galore

A few more links to get through Tuesday:

Next Time, I’m Tessering to New York

The cover version I had would have also worked on a Trapper Keeper.

If, like me, you were unable to attend the recent celebration of A Wrinkle in Time‘s fiftieth anniversary (did your invitation get lost in the mail, too?), have no fear! You can read all about the evening’s events at Publisher’s Weekly and The Horn Book. It sounds like it was a truly special and exciting event. One moment I liked, from PW:

“[Rebecca] Stead said: “My son made me lunch today.” Then she pointed to Meg as her favorite character in Wrinkle: “[Meg] gave me access to the internal life of a girl like me,” Stead said. She added that it was through Meg’s vulnerability and “self-doubting” that she was able to address her own private feelings that girls don’t always share with one another at that age. Meeting Meg was Stead’s way of “having that conversation.””

This is one of my favorite aspects of A Wrinkle in Time. Meg isn’t the perfect protagonist, ready to save the universe. She’s frustrated with herself and her surroundings; she’s quick to anger; she doesn’t always know how to express herself. But she does save the universe. It can be a huge relief for young readers to know that you don’t have to be perfect to accomplish great tasks.

At Horn Book, Lolly Robinson brings up an interesting point about the book’s lasting appeal:

“What I found most interesting about the panel discussion was the way all of them managed to praise the book’s emotional appeal to kids while hinting that it might not stand up to in-depth critical appraisal. I found this refreshing, and it’s a good lesson for all of us. Nothing will ever sway my devotion to Meg and her family, but it has taken me almost 20 years to get over the feeling of let-down I had when I re-read this book as adult and found it lacking in a literary sense.”

I haven’t reread A Wrinkle in Time in a while, but this makes me wonder if I’d find it lacking as well if I read it now. Part of me thinks I wouldn’t. I don’t remember being blown away by the style initially. What I enjoyed as a reader was the strength of characters, the inclusion of physics and math as natural part of the story, and the excitement of traveling through time and space. (And really, who doesn’t want to travel through time and space? This is part of why I now watchDoctor Who!) I don’t think I’d put it to a real, critical test, but I’d hope that I could walk away with a similar kind of satisfaction I had when I was young. Even so, I think Robinson is good to point out that no matter what, so many readers are devoted to this book. There’s a great emotional attachment there that’s transcended generation.

Might have to add this classic to my to-read list again!