By now you’ve probably heard about This American Life retracting Mike Daisey’s story about the Apple factory in China. As with previous, similar cases of articles/memoirs being found less than accurate, it’s brought up a lot of questions about what it means to be honest as a journalist and as a storyteller. One argument I particularly liked comes from John Warner at Inside Higher Ed. Warner talks about how we all lie/fabricate details to some extent, but lying doesn’t always make for a more compelling story:
“The thing is, that these lies, these distortions, these fabrications, these untruths don’t make for a better story. They make for an easier one, a story with fewer thorns to swallow on the way down, a less complicated story….Maybe I’m just suspicious of these “better” stories because to me, the best stories are the most complicated ones, the ones that refuse to resolve in easy ways. Those are the stories that are most true because resolution is something that always remains just beyond our grasp.”
I love this focus on truthfulness as a necessary part of storytelling and life. If, as writers, we endeavor to connect with readers on a basic, human level, shouldn’t part of that connection be based on how complicated normal life can be? Sometimes there is no villain. Sometimes the hero has other motivations. Sometimes the resolution isn’t so satisfying. But that’s all part of the real human existence. I’d rather get the full, complicated picture than be condescended to as a reader.
Even though Warner’s article mostly talks about journalism and nonfiction books, it’s a good idea to keep in mind for fiction writers, too. While we get to make stuff up (flying ponies do exist!), we also need to remember that being alive is complicated. Existing in the world means that you may encounter people who don’t always conform to your ideas about who they should be, or you may struggle with your own feelings about a particular event. These complicated interactions need to be a part of fiction just as much as they need to be a part of nonfiction.
Make sure to read the rest of the article as well. Do you think truth plays an important role in fiction?
0 thoughts on “The Truth is Complicated”
Some of the best books are a jousting match where the author fences from behind a persona and we can never be quite sure what ‘the truth’ is. In ‘The Sexual Life of an Islamist in Paris’, my Algerian book for A Year of Reading the World (http://ayearofreadingtheworld.com/), Leila Marouane tells the story through a sarcastic female narrator who never lets the hero have his own way. As he gets more and more deluded, we can’t be sure how much is really happening and how much is in his or the narrator’s head…