The Truth is Complicated

By now you’ve probably heard about This American Life retracting Mike Daisey’s story about the Apple factory in China. As with previous, similar cases of articles/memoirs being found less than accurate, it’s brought up a lot of questions about what it means to be honest as a journalist and as a storyteller. One argument I particularly liked comes from John Warner at Inside Higher Ed. Warner talks about how we all lie/fabricate details to some extent, but lying doesn’t always make for a more compelling story:

“The thing is, that these lies, these distortions, these fabrications, these untruths don’t make for a better story. They make for an easier one, a story with fewer thorns to swallow on the way down, a less complicated story….Maybe I’m just suspicious of these “better” stories because to me, the best stories are the most complicated ones, the ones that refuse to resolve in easy ways. Those are the stories that are most true because resolution is something that always remains just beyond our grasp.”

I love this focus on truthfulness as a necessary part of storytelling and life. If, as writers, we endeavor to connect with readers on a basic, human level, shouldn’t part of that connection be based on how complicated normal life can be? Sometimes there is no villain. Sometimes the hero has other motivations. Sometimes the resolution isn’t so satisfying. But that’s all part of the real human existence. I’d rather get the full, complicated picture than be condescended to as a reader.

Even though Warner’s article mostly talks about journalism and nonfiction books, it’s a good idea to keep in mind for fiction writers, too. While we get to make stuff up (flying ponies do exist!), we also need to remember that being alive is complicated. Existing in the world means that you may encounter people who don’t always conform to your ideas about who they should be, or you may struggle with your own feelings about a particular event. These complicated interactions need to be a part of fiction just as much as they need to be a part of nonfiction.

Make sure to read the rest of the article as well. Do you think truth plays an important role in fiction?

Friday Fifteen

What’s a Friday without the Friday Fifteen? Here’s the latest and greatest in fifteen-word reviews:

1.The Absolutely True Diary of a Part-Time Indian by Sherman Alexie
Feels like a modern, funnier version of The Outsiders. Used drawings without feeling gimmicky.

2. Blue Angel by Francine Prose
Expected to like this a lot more than I did. Never felt invested.

3. Snow Treasure by Marie McSwigan
Read for class in fourth grade. Fun, but not as memorable as Number the Stars.

4. True Grit by Charles Portis
Compelling western, quietly moving. A great YA crossover book.

5. Babe in Paradise by Marisa Silver Excellent collection of stories. Silver knows how to raise the stakes for her characters.

6. Juniper, Gentian, and Rosemary by Pamela Dean
Meandering story about clever sisters and a mysterious neighbor. Confusing and plotless, but I enjoyed.

7. Color War! (Camp Sunnyside Friends #3) by Marilyn Kaye
Only one of the series I read. I preferred the BSC Special camp book.

8. If You Give a Mouse a Cookie by Laura Joffe Numeroff and Felicia Bond
Lesson: generosity makes you weak. Don’t trust anyone! (At least anyone that’s a mouse.)

9. Opened Ground: Selected Poems, 1966-1996 by Seamus Heaney
Fantastic selection of Heaney’s work. Perfect for readers new to Heaney or poetry in general.

10. Succulent Wild Woman by SARKI was 18 and liked journaling with colorful pens.

11. Alanna: The First Adventure (Song of the Lioness #1) by Tamora Pierce
Essential reading for girls in middle school. First of the Tortall books.

12. Me Talk Pretty One Day by David Sedaris
Snark and social commentary–I’m an automatic fan. Loved the explanation of Easter.

13.The Headless Cupid by Zilpha Keatley Snyder
Great MG combination of family saga and ghost story.

14. Divine Secrets of the Ya-Ya Sisterhood by Rebecca Wells
Probably inspired a lot of book clubs to try to create their own group names.

15. I Spy: A Book of Picture Riddles by Jean Marzollo, Walter Wick and Carol Devine Carson
Like when I’m searching on my desk for the one thing I need.

Links Galore

Lots of fun links for the end of the week:

 

Reading of the Green

When people see I’m a redhead, they usually assume I’m Irish. (I’m not.) But this year is the first I can claim being Irish by marriage so I’m excited to celebrate St. Patrick’s Day.

Ireland has no shortage of stories and storytellers, so it’s pretty easy to feel literary on this holiday. For the YA side, the Hub has compiled a list of books inspired by Irish mythology. I’m reading The Scorpio Races right now and loving it.

My own Irish literature suggestions tends to run to the more contemporary. I’ve mentioned before that I’m a huge Roddy Doyle fan, and I recently read his MG novel, A Greyhound of a Girl, which was just as funny and heartbreaking as I hoped. It’s not available in print in the US yet, but you can download it via Kindle. I’d also recommend Bog Child by Siobhan Dowd, which gives readers a fantastic glimpse into life during the Troubles.

Writers Digest also shares inspiration from Irish authors. My favorite quote:

“The good end happily, and the bad unhappily. That is what fiction means.” –Oscar Wilde,The Importance of Being Earnest

Any other suggestions for Irish reading?

How to Build a Magical World

At Writers Digest, Steven Harper Piziks talks about how to write paranormal/fantasy novels. One big difference between fantasy and other kinds of fiction obviously boils down to the magical elements. Piziks says:

“The need to explain the magic [is] the biggest challenge, really. It’s so easy to use big expository lumps, but that bores the reader. “

I can definitely see this as one of the hardest parts of fantasy writing. You want to make sure your reader understands what makes this world/these characters magical, but you don’t want to bore them with an infodump. If your character is living in a magical world, wouldn’t he/she not really call attention to a lot of the magical elements? It would be like a character in a contemporary novel explaining in length what a television is or how a garage door opener works. (Although I bet Arthur Weasley would find that pretty fascinating.)

I think the introduction of these elements works best when they’re introduced gradually and naturally. For example, in The Hunger Games, Katniss doesn’t really talk about what led to the collapse of the US and the rise of Panem. She wouldn’t because she doesn’t need to think about it. But we find out what Panem is and how classes are structured because she has to worry about who’s in charge and where her family will get food. In The Golden Compass, we meet daemons long before we find out what exactly they are, and can slowly pick up on the subtle differences between the real Oxford and Lyra’s Oxford.

Being able to balance necessary information with compelling forward momentum is enormously difficult, and I salute any writer who can do that well. What are your suggestions for creating compelling magical worlds without all the exposition?

Wibbly Wobbly Timey Wimey Stuff

With the clocks shifting ahead an hour on Sunday, you might feel like your sense of time is off. Fortunately, there are two lists of time travel-related reading. We’ll get that hour back somehow!

At The Hub, Sarah Debraski has a great list of mostly YA time travel stories, including Before I Fall by Lauren Oliver (which involves a time loop) and The Midnighters Trilogy by Scott Westerfeld (in which time stands still). At Secrets & Sharing Soda, Katie expands a little to MG, bringing in titles like The Time Trilogy by Madeleine L’Engle (love!).

When I was in middle school, one of my favorite time travel books was Both Sides of Time by Caroline B. Cooney. It had everything I liked–romance, the Victorian era, feminism, vague fantasy/sci-fi elements, and mysteries. When I found out there were sequels, I freaked. (The last one didn’t thrill me, sadly.)

For very mature YA readers (probably junior/senior high schoolers) I’d also recommend The Time Traveler’s Wife by Audrey Niffenegger. I assumed it would be kind of schlocky, but a friend gave it to me with enormous enthusiasm, and I found myself really enjoying it as well.

And of course, if you’d rather watch something about time travel, you need to check out Doctor Who. Immediately.

(image: Emo DJ Steph)